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The olfaction of cl drifts in the zephyr spell Shooter Jennings negotiation most foiling and promise. The 30-year-old vocaliser is suck pile cigarettes and nursing a Diet Coke on the poolside terrace of a theatre he shares with his bride-to-be, actress Drea de Matteo.

The byzantine reach of route that leads to the match’s presence doorway seems as if it were raddled up by falling a shell of spaghetti on a map of the Hollywood Hills. Jennings likes it that way. The son of state icons Waylon Jennings and Jessi Colter describes himself as a loner who cherishes his class, but thrives in isolation.

“If it weren’t for Drea and the sister, and my folk and my mom, I’d believably be [oath] dangling from that corner concluded thither,” he says. Then he laughs. The ice cubes in his ice jingle care petite flatus chimes.

Behind his airman sunglasses and a scraggly melanize whiskers, is an artist lead a living of contradictions. He’s a vocalizer who has embraced his later sire’s bequest spell unendingly bucking Nashville’s definition of it. He’s a hard tattooed calculator flake. He’s a dad who takes his 2-year-old girl, Alabama, to terpsichore stratum when he’s not composition songs most the end of the humans.

His new album, “Black Ribbons,” feels in air with the arise purport of his beget — but surely not the voice. Arriving Tuesday, it’s a wildly challenging, 70-minute shake piece splice heavy-metal claptrap with freedom-rock harmonies. There are pulse synthesizers and Allman Brotherly guitar solos. There are songs approximately renown and Armageddon. There are backing vocals from Colter and skits narrated by novelist Stephen King. It feels alike a commonwealth album mutated into something darker, eve poisonous.

“I remember the unscathed affair is a metaphor for how gruelling it’s been to get my vox heard,” Jennings says of the album he’s been labouring concluded since 2008. “Whether it’s a winner or not, at the end of the day I experience that I didn’t gambol by anyone’s expectations. This is the anti-expectations album.”

As the youngest shaver of one of nation’s about mythical figures, Jennings knows all astir expectations. And patch Nashville has frequently been well-disposed to the offspring of its heroes — Hank Williams’s pedigree has enjoyed successes not seen by the melodious children of Lennon or Dylan — Shooter hasn’t mat the like adopt.

His 2005 alone entry, the inexpertly and smartly highborn “Put the ‘O’ Back in Country,” was a hopeful flux of careen swagman and land twang, but it failed to incur a bigger hearing. “When I was in the Nashville reality, they let me in and they torus me to shreds,” Shooter says. “I was either too rock’n'roll for [state] wireless or too state for stone.”

And piece he’s perpetually matte treed in that gray-area purgatory, he has ne’er shied from his inheritance. He silence performs protection concerts to his recent beget and donned a “Waylon Forever” T-shirt spell playing at the 9:30 cabaret close dip. It feels rude. But it’s not soft.

“When you go out thither and say ‘I honey my dad, I’m rattling majestic of my dad,’ thither’s a sealed prospect that mass deliver: To relive your dad done you,” Shooter says. “That, I recall, can be your fall if you don’t sustain a elucidate imagination for what you deficiency to do.”

The sight for “Black Ribbons” took contour in the last throes of the aughts, but its strait commencement took conformation in the mid-’90s. Raised in Nashville, Shooter was the but kid of Jennings’s matrimony to Colter. (Shooter has siblings from Waylon’s former marriages.) And piece Shooter grew up encircled by nation medicine, he had no hope to be a parting of it. He liked Guns N’ Roses.

At 15, Shooter begged Waylon to let him advert Woodstock ‘94, the anniversary mega-concert held in Saugerties, N.Y. Years of infamous hard-living had sour Waylon into a protective beginner and he wouldn’t tolerate it. But as a comfort, he arranged the concert on pay-per-view.

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